La Drôme Provençale
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La Drôme Provençale de Claudine Ruelle
Toile Sur Carton
Le commencement
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LE COMMENCEMENT
53x41 - 2011
Empreinte digitale en négatif de pâte à papier apposé sur de l’acrylique noir.
Fond en écorce de Niaouli, arbre endémique des forêts primaires de Nouvelle-Calédonie.
Simplicité volontaire des non-couleurs, Noir/Blanc, afin de mettre en évidence le lien : empreinte, papier, arbre.
Démarche
La pâte à papier comme élément fondateur et récurrent de ma démarche artistique. Je l’utilise pour créer des volumes sur chacune de mes oeuvres donnant ainsi un corps 3D à mon discours pictural. A l’extrême, le parti est pris de proposer des toiles qui s’offrent comme des livres concoctés par mes soins à base de papiers, de techniques ancestrales et de matériaux contemporains.
Se rappeler que :
De la graine à l’arbre, de l’arbre au papier, du papier au MANUSCRIT…
De l’empreinte à la main, de la main à l’écriture, de l’écriture au MANUSCRIT…
…du MANUSCRIT au LIVRE, il n’y a qu’un… qu’une MAIN !
Celle de l’homme qui laisse ses traces inscrivant son histoire et confirmant par là-même son existence. Notre Histoire commune se construit et se transmet de génération en génération par le medium papier. Celui-ci porte notre mémoire, il est l’ADN exogène de nos chroniques terriennes.
www.valmigot.com
La Cabane by Alain Guezennec
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Materials used: recycled paper glued on canvas, acrylic
* Date of creation: 2008
* Owner: anonymous Sancerre (FR)
* Sizes: 50 cm x 50 cm
* Creation Context: The isolation and loneliness inspired me this work.
Contrebasse & bandoneon by Françoise Amadieu
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Title: Contrebasse et bandonéonArtist: Francoise Amadieu
Dimensions: 105 x 137 x 5 cm
Particularity : in relief work
Original technique: acrylic on corrugated resinated engraved, cut, folded and mounted on wood water-resistant and fire retardant work with anti-yellowing. Subject: Dance, Tango
Context of creation: It is by seeing the movie "The Tango Lesson" I had love at first sight. I had vague memories of a musical on the theme of the tango that I had seen at Chatelet there is more than fifteen years, I loved this dance any voltage controlled, fluid and proud when man asserts his masculinity and femininity of women. The film brought me over this fascinating mystery, which is a dance for two a work of art.
Destination, targeted goals: I wanted to recreate that atmosphere and the material has helped me by putting volume in the creation
Copyright : Françoise Amadieu
www.amadieu.eu
Appena dopo il tramonto by Rafaella Zavalloni
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Work title : Appena dopo il tramonte
Kòsmos, the Greek word, means both world and ornament, to suggest the beauty of all things and the excitement in contemplating them.
The infinite forms of the world: oceans, flowers, animals, geometric shapes ...
I would like to encompass in each painting a unique, unrepeatable moment of the ongoing transformation of these forms, at the same time pure and magnificent.
The corrugated material, which seems simple and poor, suggests to me new, original shapes and structures through its hidden wealth of forms and textures.
By meddling with its regular, geometric nature I create concave and convex constructions, with three-dimensional effects that extend beyond the flat surface of the painting, so that through the chaos of playful metamorphoses a new harmony is reached. Paper corugated board and enamel.
Artiste : Raffaella Zavalloni
Ville, Pays : Cesena (FC) Italy
Copyright Raffaella Zavalloni
Website : www.raffaellazavalloni.it
Chickens at heart eggs by Vibeke Hoffmann
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Technique et matériaux utilisés:
Papier kraft et carton ondulé coupé sur traceur, puis les couches sont collées manuellement avec de la colle thermo-fusible et la partie visible décorée avec de la peinture acrylique.
Les œufs sont tenus par des fils metalliques pour Bonsaï
Date de création: 2005
Propriétaire de l’œuvre: Vibeke Hoffmann
(Une paire a été vendue pendant une exposition - propriétaire inconnu)
Œuvre dimensions: 30 x 30 cm
Contexte de création:
Dans mes tableaux, j'ai travaillé beaucoup avec des poules comme sujet pour réaliser une œuvre d'art ludique en carton ondulé. Je ne veux pas surligner des attitudes politiques, et j’ai ma propre vision de la sauvegarde du bien être des animaux. C'est pourquoi mes poules sont heureuses et les œufs ont la forme de cœurs
La forme de mon travail artistique a commencé avec des réalisations en reliefs en forme de pyramide, et sur cette base j'ai réalisé les poules actuelles
http://www.hoffmann-art.dk/velkommen
© Copyright Vibeke Hoffmann
The way by Patty & Al Eckman
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Allen and Patty Eckman really enjoy highlighting the lives of Natives American. In their work they show in detail the intentions, actions and daily clothes of the protagonists. Transmit their values to young people was important for Natives, this work is particularly representative of this aspect of their culture. Resulting from the production process, the finished product is white, light, and has a tremendous amount of detail depending on the subject and artists own inventiveness.
Copyright : Patty and Allen Eckman
www.eckmanfineart.com
Shelving-unit-Kc par Debons et Parsy
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Copyright Debons et Parsy
www.parsydebonsdesign.com
Colibris - hummingbirds by Diana Beltran Herrera
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The Diana Beltran passionsare to recreate nature in detail but also to study relations between colors, movement and space. Tropical birds from largest to smallest are models. Create them in paper, eco-friendly sustainable is part of his convictions. But she does not create only birds, she also creates monumental geometric sculptures. We can only raving.
"I want to recycle" by Mark Langan
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I created this artwork year back of iconic Army recruitment poster the U.S. for the Army featuring Uncle Sam.
I switched some of the wording to read recycle and added the chasing arrows motif behind for emphasis.
This was a huge artwork for me and the photo has been published many times over.
I still get requests if the artwork is available being so popular.
This piece was also on the front cover of CTN green (Consumer Trend News Green) beating out the spot that was to be occupied by rocker Sheryl Crow of all people.
As it turned out pictures of her were not available so they opted using my art on the cover (see my web site for link to it www.langanart.com).
I used heavy foreshortening techniques to create the likeness.
Aside from the finger point that extends outward about 5" everything is within the scope of the frame depth at 2.5" and used different thickness and placement of board for illusion.
This artwork was the first piece purchased by Ripley Entertainment and now resides in their Atlantic City, NJ museum.
Artwork dimensions: Height: 33.5" x Width: 24.5" x Depth 2.5"
Copyright Mark langan
www.langanart.com
Mobilier Archeo by Karton Art Studio
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